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All images courtesy of the collection of RICHARD KRAFT except where noted.

Piano Solos Film Music, Themes from, Piano

  • Adela from A Passage to India, Maurice Jarre
  • End Credits from The Age of Innocence, Elmer Bernstein
  • First Impressions, Selbourne Wood, Lady Gresham, Runaways, and An Adoring Heart from Becoming Jane, Adrian Johnson
  • Main and End Titles from Cryno De Bergerac, Jean-Claude Petit
  • Main Title from Dangerous Liaisons, George Fenton
  • Chasing Sheep is Best Left to Shepards from The Draughtsman’s Contract, Michael Nyman
  • Love Theme from Elizabeth, David Hirschfelder
  • Closing Credits from Howards End, Richard Robbins
  • Earnest After All, Front Titles from The Importance of Being Ernest, Charlie Mole
  • Valley of the Shadow and Orchard House, Main Title from Little Women; Thomas Newman
  • My Father’s Favourite from Sense and Sensibility, Patrick Doyle
  • The Road to the Workhouse from Oliver Twist, Rachel Portman
  • Pelle Erobreren from Pelle the Conquerer, Stefan Nilsson
  • Prologue; Perfume, Distilled; Streets of Paris, and Distilling Roses from Perfume, Tom Tykwer, Johnny Klimek, Reinhold Heil
  • End Credits from The Portrait of a Lady, Wojciech Kilar
  • Dawn and Georgiana from Pride and Prejudice, Dario Marianelli
  • Love Theme, Stepping Stone, and Sarah’s Theme from River Queen, Karl Jenkins
  • Romeo, Juliet, The Feast at the House of Capulet, Did My Heart Love ‘Til Now?; and In Capulet’s Tomb, Love Theme from Romeo & Juliet; Nino Rota
  • Ladies from Tea with Mussolini, Alessio Vlad, Stefano Arnaldi
  • Andante and Adagio from Vanity Fair, Mychael Danna
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