Piano Solos Film Music, Themes from, Piano
- Adela from A Passage to India, Maurice Jarre
- End Credits from The Age of Innocence, Elmer Bernstein
- First Impressions, Selbourne Wood, Lady Gresham, Runaways, and An Adoring Heart from Becoming Jane, Adrian Johnson
- Main and End Titles from Cryno De Bergerac, Jean-Claude Petit
- Main Title from Dangerous Liaisons, George Fenton
- Chasing Sheep is Best Left to Shepards from The Draughtsman’s Contract, Michael Nyman
- Love Theme from Elizabeth, David Hirschfelder
- Closing Credits from Howards End, Richard Robbins
- Earnest After All, Front Titles from The Importance of Being Ernest, Charlie Mole
- Valley of the Shadow and Orchard House, Main Title from Little Women; Thomas Newman
- My Father’s Favourite from Sense and Sensibility, Patrick Doyle
- The Road to the Workhouse from Oliver Twist, Rachel Portman
- Pelle Erobreren from Pelle the Conquerer, Stefan Nilsson
- Prologue; Perfume, Distilled; Streets of Paris, and Distilling Roses from Perfume, Tom Tykwer, Johnny Klimek, Reinhold Heil
- End Credits from The Portrait of a Lady, Wojciech Kilar
- Dawn and Georgiana from Pride and Prejudice, Dario Marianelli
- Love Theme, Stepping Stone, and Sarah’s Theme from River Queen, Karl Jenkins
- Romeo, Juliet, The Feast at the House of Capulet, Did My Heart Love ‘Til Now?; and In Capulet’s Tomb, Love Theme from Romeo & Juliet; Nino Rota
- Ladies from Tea with Mussolini, Alessio Vlad, Stefano Arnaldi
- Andante and Adagio from Vanity Fair, Mychael Danna